The good news is that Portland Parks & Recreation hasn’t given up on trying to find a formula that will succeed at the Interstate Firehouse Cultural Center.
A citizen advisory committee recently recommended that the
39-year old cultural center and former historic firehouse at 5340 N. Interstate Ave. become a showcase for
the history, arts and culture of Portland’s African-American community.
The next step is finding someone to do a study to see how to do it. “The objective of the feasibility study is to determine the viability and sustainability of a revitalized arts and culture center” that meets the city’s goals, according to the request-for-proposals.
Success, however, will be no small task. Two nonprofits have tried and ultimately failed in finding a route to financial stability. As it stands now, the center has a 100-seat auditorium and smaller rooms available for other purposes.
The building has an interesting
pedigree. Designed by the firm of
MacNaughton, Hobson and Lawrence, the two-bay station opened in 1910 when city
fire wagons were still pulled by horses.
The tower was used to dry out wet hoses.
A city document describes the architecture as being Romanesque revival,
although one could quibble about that.
Approximately 1910 (City of Portland) |
E.B MacNaughton practiced as an architect for
20 years, but he is better remembered as a reputable banker and businessman who
later served as president of Reed College.
His younger partner, Ellis Lawrence, went on to lead the University of
Oregon architecture department for 40 years in addition to designing many
significant Portland buildings.
The building sits in Patton Square
Park, a 1.26 acre composed of greenery and a children’s playground. A tall water tank also sits in the park, but
it is long empty and serves only as a cell-phone tower.
View from the south |
A nonprofit was created to run the
building, but finally gave up in 2010 from exhaustion and inability to find
grants to assist operations. Ethos Inc.,
a nonprofit devoted to teaching music to children, operated the center until
2014. The building has been used for
short-term events ever since.
The city’s emphasis on creating a
site for celebrating Black culture makes perfect sense in the era of enhanced
ethnic awareness. And the IFCC sits in
the neighborhood that for several decades in the 20th Century is where de facto
segregation policies forced most Black residents to live.
-----Fred Leeson
Join Building on History’s mailing
list by writing “add me” to fredleeson@hotmail.com
It looks to me to be a natural for a neighborhood cultural and fine arts center similar to the one in Sellwood.
ReplyDeleteto bad it can't be a restaurant, or brewery. Keep the stage for live music.
ReplyDeleteAgree with you about the live stage and beer. I also want to add that Charles Jordan, mention in the article, was as honorable as a public official as they come. I wish we had more like him.
ReplyDeleteKinda seems like the biggest strike against the building is that the city owns it.
ReplyDelete