Saturday, November 28, 2020

Oregonian Building Redux

 

                                                                (Postcard, 1948)        

Portland’s most internationally-famed architect, Pietro Belluschi, is widely remembered for the Equitable Savings building he completed in 1948.  Its innovative sleek glass and aluminum design is considered the world’s first curtain-wall building that ushered in the International Style of modern skyscrapers.

Less well-known is another Belluschi building also finished in 1948. The 6-story Oregonian Building at 1320 SW Broadway also was a relentlessly modern building designed to meet a new era of mid-century communications, with printing presses, radio studios and a television station.  The newspaper bragged about it being “the largest structure built in Oregon in the last 10 years.”

 The block-size building was interesting in other ways, too.  Its main Broadway façade had a second entrance for Hostess House, the Oregonian newspaper’s model kitchen and space for cooking instruction.  The corner at Broadway and Jefferson was designated as a small retail spot, to be filled for many years by a drug store and a restaurant.

 On the fourth floor, space was allocated for a cafeteria or restaurant including open-air seating on a plaza above the third floor.

 On the Sixth Avenue side, big two-story windows were intended to give pedestrians a view of the huge newspaper presses that could churn out 90,000 broadsheet issues per hour.  They were so heavy they had to have a separate foundation.  A tunnel through the middle of the building provided access for circulation trucks and newsprint deliveries.


(Contemporary view, same vantage)

  The radio studios for KGW on the fourth floor had sound-proofed walls and ceilings, and air-lock entrances designed to keep out extraneous noise.  When the building opened in June, 1948, the newspaper described the noise protections thusly:  “The rushing roar of the presses, the rhythmic clacking of the linotypes and frenzied whine of metal saws in the composing room, the shouts and clicking typewriters in the newsroom, KGW wanted none of them.”

 Ultimately, the building failed to meet its ambitious intentions.  As a result of a disagreement with the newspaper company, Pietro Belluschi took his name off the final drawings.  The huge picture windows on Sixth Avenue became so spattered with ink that it was largely impossible to see the presses at work.

 The fourth-floor restaurant never materialized. Its space became the newsroom for the companion Oregon Journal newspaper when it merged with the Oregonian in the early 1960s and the outdoor seating plaza went unused. 

 KGW Radio did use the studios for a few years, but the Oregonian sold its interest in KGW before any TV broadcasting occurred in the building. 

In the 1970s, the Oregonian switched to a new printing process with presses in a different building.  Combining newsroom staffs late in 1982 led to major internal remodels on three floors.  When growth of the internet led to implosion of the newspaper business, the Oregonian moved out of the building in 2014 for rental space elsewhere.

 Dan Haneckow, a Portland historian, toured the building shortly after the Oregonian newsroom closed.  “It was fascinating, ” he said.  “Time seemed to have stopped in the early 1990s.  There was a decrepit grandeur to the place.  You could see how important it was. At the same time the world had passed it by.  Lots of old technology, sometimes strewn about the floor.  Awful drop ceilings which I assume have been removed.”

 Indeed.  An extensive internal remodel was completed earlier this year.  The designers respected Belluschi’s building envelope with its limestone panels and base of polished gneiss.  New potential small retail spaces have been created on the north and side sides of the building, in addition to the original retail location at the corner of Broadway and Jefferson.

 A canopy sheltering the main entrance and a secondary retail entrance on Broadway is new, providing welcome rain protection.

(New canopy, Broadway entrance)

The new primary tenant is AWS Elemental, an Amazon subsidiary that provides internet services involving digital content production, storage, processing and distribution.  In other words, the building continues to be a communications hub of a different kind for the following era.  To the preservationist's eye, it is a successful adaptation of a worthy building for new uses. 

Ironically, the same month the Oregonian Building opened, June, 1948, Pietro Belluschi was honored as a fellow of the American Institute of Architects, one of the nation’s highest awards.  It was his 25th year in Portland.  His other notable works included the Portland Art Museum, the J.P. Finley & Sons Mortuary (sadly demolished) the Equitable building and renovation of the Union Station train depot.  

 Belluschi’s long career was far from over.  He left Portland in 1951 and returned in the 1980s, continuing to be a prolific architect and consultant until his death in 1994 at 94.  One of his many, many legacies remains at 1320 SW Broadway.

 


10 comments:

  1. Fred, what do you know about the rift between Belluschi and The Oregonian?

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  2. Dick Johnston is the one who told me Belluschi took his name of the final drawings. He did not explain the nature of the dispute...if he knew it.

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    1. I remember Dick once telling me that the Newhouses didn't want to spend money on some of the touches that Belluschi saw as integral to the design. They went on the cheap and it pissed him off. At least that's what I recall.

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    2. Makes sense, John. Belluschi paid great attention to details, like a great architect would.

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  3. I think the limestone flooring in the lobby is a triumph. The new canopy draws upon the Equitable Bldg. I will bow to your skills at research, but the word among employees when I arrived in 1974 was that KGW TV had broadcast there. Joe Bianco edited a souvenir edition of NW Magazine, printed in house on the small offset press in the print shop. That tabloid was printed on a quality stock (Joe could always get what he wanted),and I spent many hours doing assembly work. I can't find my copy, but it was a comprehensive history of The Oregonian Publishing Co.

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  4. Thanks for your comment. My preferred means of research to answer this question about KGW is not available because the Multnomah County Library is closed. I can check the digitized newspapers to see if I can find anything. You may be correct about KGW.

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  5. I'm happy to see the salvaging of a traditional news outlet's HQ at a time when so many are either sitting mothballed or facing the wrecking ball. When the Indianapolis Star vacated its awkwardly cobbled together network of buildings several years ago (all unified through a MCM facade vaguely evocative of this Belluschi building in Portland), an attempt was made to convert them to housing. But the irregular shift in levels from one building to the next (internally linked but not always ADA-compatible) was found to be cost prohibitive, and the entire cluster of structures ultimately got demo'd for two multi-family endeavors that are decent if hardly inspirational. Meanwhile, the Free Press building in Detroit sat vacant for 20 years after the departure of its main operations in 1998. While it has been salvaged and converted into multifamily residential as well, just within the last two years, it's comforting to see some old newspaper facilities retaining their integrity as office space...which, at this point in time, may be more greatly needed than more post-collegiate dorm-style fun-houses for overfed Millennials.

    At a certain point, the housing/office ratio in American downtowns is likely to get out of whack, and COVID has likely only showered gasoline on the dumpster fire.

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  6. I'm a former 20-year employee from long ago, 1976-1996. Could have sworn there was a restaurant at street level that I used to buy lunch at when I worked 9 to 5, before I switched to nights in 1981 or so. The cashier used to rib me for ordering the same thing every time (now I can't even remember what that was. . . maybe a BLT?). I don't remember going outside the building for this, I also remember there was an entry to the restaurant off the circulation lobby. Can anyone confirm and what was the name? thanks

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    1. I worked there in the 80's for awhile...I can't remember the name of the corner restaurant, but they ended up taking it out and building an office space for the advertising design team(Plato Martindale) I worked for...we worked in that space for several years...I could always smell of hint of grease. :D I would have preferred they kept the restaurant tho...it was dark and greasy in there, but it had it's charm :D Also, yeah, you could get to the restaurant by the hall next to the front wall just as you enter the front doors, hang a left, past the pay phones and all the way down to the end where their door was.

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