Motoring through Northeast Portland recently, a newcomer
from Massachusetts asked me why it was called the Hollywood District.
Imagine if life’s big questions could be answered in just
two words!
The roaring 20s were still at full throat in 1926 when the
Hollywood Theatre opened at N.E. 41st Ave. and Sandy Boulevard. Its bold, glitzy, daring, Spanish baroque multi-colored
terra cotta front façade may well have been the flashiest anywhere in town. In an era when East Portland was feeling inferior
to the wealthier downtown across the river, it amounted to a big boost for the
neighborhood. Thus the commercial and
residential area nearby quickly adopted Hollywood District as an identifier.
Now, in an era pocked by numerous demolitions throughout Portland,
the 94-year-old the Hollywood Theatre exemplifies how a vintage buildings
creates a distinctive sense of place not easily, if ever, recaptured.
If buildings could talk, this one was shouting “Hey! Look at me!
Come on in! Let’s have some fun!” Photographs from the era show attendees
dressed up in their finest for a night on the town.
The balconied theater with 1500 seats was designed in the
office of John Virginius Bennes and Harry Herzog. Herzog may have been the primary figure because
he had worked on the Majestic and Liberty theaters downtown, neither of which
survives, before partnering with Bennes.
Bennes is best known for some imposing Portland houses and several
buildings at the heart of the Oregon State University campus which are now
included in a national historic district.
The Hollywood was designed for vaudeville and live music in
addition to movies. But as happens with
many vintage buildings, times, conditions and uses change. Vaudeville and movies with live music were
the first to go. The post-World-War II
era brought television’s intrusion. The
rise of multi-screen theaters meant more screens for smaller audiences as the
industry shifted its business strategy.
In 1975, the Hollywood balcony was walled off from the main
auditorium and split into two smaller theaters.
Sometime before that, the fancy terra cotta decorations at the ground
level and the octagonal free-standing ticket booth disappeared. Hard times and deferred maintenance continued
at the landmark building. By the late
1980s and building was a white elephant in the movie world.
In 1997, a nonprofit entity called Film Action Oregon bought
the Hollywood Theater for $135,000 -- a
sum that would have sufficed for a medium-sized house -- along with a major concession by the seller. With eyes toward architectural restoration
and innovative film programming, the entity (now known simply as Hollywood
Theatre) has worked steadily to attract viewers and donors as building
improvements unfold.
Revamped lower facade will make the entry more attractive. |
Restoring old buildings is an expensive, time-consuming
process. Some costly projects like roof,
plumbing and painting are largely unseen by visitors. The theater made a big neighborhood splash in
2013 when it turned on its big red new “Hollywood” sign surrounded by small
blinking bulbs and a new marquee, both aimed at recreating the original feel of
1926. More than 1100 contributors helped
meet the $124,500 cost.
The theatre made a
less-noticeable upgrade in 2016. It
replaced the aesthetically-inappropriate aluminum-framed entry doors with an
attractive mahogany-framed set similar to what existed in 1926. Now, planning is afoot for a lower-façade
renovation that will replace the blank brown wall we see today.
Paul Falsetto, an architect with an extensive background in
in historic restoration, is working on a design that will return original
materials to the entrance. The design
will not be a duplicate of the original, but should give the entire façade a
coherent feeling it has lacked for decades.
The free-standing ticket booth will not be replaced in order to meet
current standards for ingress and egress, but an outline of its original
placement will be included on the floor.
While the lower-facade work will complete most of the visible exterior renovation, "There is still plenty more to go," says Virginia Durost, the theatre's operations director. "Plumbing, electric, interior details, seismic..."
While the lower-facade work will complete most of the visible exterior renovation, "There is still plenty more to go," says Virginia Durost, the theatre's operations director. "Plumbing, electric, interior details, seismic..."
The theatre is currently engaged in fundraising to
pay for the lower-façade work. If you
are interested in helping, you can reach the theatre through its website,
hollywoodtheatre.org, or by mail at 4122 NE Sandy Blvd., Portland, 97212. Plans called for the work to be finished this
year, but the pandemic quarantine may slow the timeline.
Regardless, the day should come once again when this
irreplaceable building says: Come on
in. Let’s have some fun!
AHC staff alum Virginia Durost serves as Operations Manager for The Hollywood. Lots of preservation decisions to make there but she is working her way through them with other experts like Paul. Would just remind too of their magnificent fundraising to save Movie Madness, and their broadened scope with the theatre at PDX. Good people. Great message on the marquee!
ReplyDeleteHurray for Hollywood -- the theatre, its supporters, and neighborhood. Also for Fred for these informative and interesting blogs.
ReplyDelete